Tuesday, 29 September 2015

Mise-en-scene

Lighting
- I have thought very carefully about how I am going to light the scenes that I plan on filming in my video, and in order to facilitate the often dark locations I would like to try and use, (the sunset) I am going to use my three continuous studio lights. I may also use a flash bulb which I could use to create a subdued strobe-like effect when filming close up on faces. I also have an idea for a shot which would involve setting up the performer(s) in front of car headlights, where  lights would be needed in front of them out of shot in order to keep them from being silhouetted.

Setting
Performance:   -Standing in front of their car parked in front of a church?
                        -A few lines filmed in a studio environment - the pit? my studio?
                        -Generic outside space at the beach
                        -Kept in the same room as actress? To portray sense of being trapped within her mind?
Narrative:       -White washed bedroom, double bed, white sheets, as empty as possible.
                        -The beach - sunset

Props
- Cheap glass bottles/ glasses for her to smash in anger - to signify her having been drinking - his side of the bed is clean
-Real bottles
-Pills
-Items to throw - photos, books, bedding

Costume
Within my video it is important that I differentiate between the two main 'characters.' 
- The performer- who needs to convey the genre conventions and implied emotions, and the subject - the character entirely separate and fictional from the performer.
The Performer - fairly neutral but with a darker tone. Black skinny jeans? Black skirt, bare legs and Docs? Dark high neck vest top?
- The Character - Dressed in a very casual manner - pyjamas, loungewear. Her makeup and hair is not so important, it's more the effect of her not having the makeup or looking very dressed-down due to the perceived state of her mental state

Make Up
- The Performer - dark makeup to some extent yet relatively 'bare?' -  Heavy eyeliner, nude lip? Blank face
- The Character - halfway point between very sweet and effeminate, pink lips rosy cheeks etc, and dark, more aggressive or emotional. 'Bare' face 

Performance
- The song that I have chosen is audibly very expressive, and so the performer I choose will need to really sing into the camera and really get into the music, as otherwise, the final product will immediately say student video. 

Monday, 28 September 2015

Locations

Settings
Possibly a motel-like setting? Just as blank of a room as possible - white walls, as empty as it can be. Preferably a large window with venetian blinds for lighting effect.
A possible shot idea I am planning for the intro would be showing her getting into the shower or bath. Simply a towel dropping around bare ankles and a hand turning the tap. It can't be too heavy but simply a suggestion of the idea without causing any issues with modesty of consent.
Another idea is filming her in the car driving with him near the beginning as the singer begins so I will be using my own car in order to achieve this. I am wary however that shooting from inside a car can very easily appear amateur or  clumsy so I will do some research into this technique later on.
Southwold beach - shots of her sitting alone watching the tide - Wednesday 18th

68 Ashdon Road -  Modern room, blank walls, plain bedside table. Easy accessibility and space for camera and tripod movements.



Friday, 25 September 2015

Storyboard















Star Image

Star image.

Richard Dyer's star theory basically sets the premise that stars are created by the industry by means of making money. He talks about the concept that the stars are intended to represent real people in a manner that would appeal to the target audience, something that they can relate to. 

If we take Demi Lovato as an example, we can see clear development of her character as her career progresses.  









  • Early star image
    • What was the image established in the earliest videos?
  • Star image development
    • Are they shown playing a character / performing?
    • What visual motifs are associated with them?
  • How are they sold?
    • Are close- ups used throughout their work?
    • How are hair, costume, props, other people used in videos to support image?
  • How do camera and editing reinforce the image?
    • Give examples and consider why these features have been chosen?
  • Wider cultural significance
    • Why is/ was this star popular at this particular time?
    • Do they fit into any cultural trends like ‘girl power’, etc?

Sunday, 20 September 2015

Treatment 2.0

Treatment Two


Outline  :  Silk 

The basic outline I have finally decided on is that of a young female who is visually very distant and struggling with some form of multiple personality disorder. This could have been effected by the concept within the lyrics of her being cheated on by her boyfriend, who will be present in the video but only hinted at subtly. It would open with them in bed with a lot of space between them, he will be lying on his side with his back to her, and she will be lying on her back with her eyes closed. The music will start as she opens her eyes and there will be a moment of the sound of a siren outside before she wakes up which will carry on into the intro of the song as it's so quiet. I will be applying some sort of filter over the footage in order to make it appear washed out and of a sadder tone to match with the tone of their relationship. The main concept of the video will be that the girl is clearly struggling with something, cutting between being visually very upset, and being more relaxed, hinting towards the idea of some sort of split personality disorder. The lyrics lend themselves directly to the idea of cheating, but also to that of alcohol and drug abuse, and mental struggle.

"The intro to the song is actually quite long, and therefore must be thought out very carefully in order to prevent it from becoming boring as a video. I plan on recording the sounds of a vaguely distant street and placing them over the top of the building noise, a key part of this soundtrack will be a police siren which will be the first sound that the viewers hear. As the screen starts black and fades into a birds eye shot of the couple in a bed, there will be a siren, then her eyes will snap open and the track will kick in, alongside the siren and the quiet traffic." - Treatment 1.0

The video will be split into a combination of shots of the singer and of the actress.

Saturday, 19 September 2015

Audience Analysis

"I believe the target demographic for this music video will be young adults aged 15-28, both male and female. A good way of identifying some music that viewers may also be interested in, and therefore the style, ideologies and concepts, is to check the "similar artists" or "you might like" suggestions on iTunes. Some of the artists that came up were Drenge, JAWS, The Vaccines, Swim Deep and Palma Violets. This information provides a snapshot into the genre and what sort of ideas and concepts my audience may be interested in. See audience analysis. " - Treatment.

I feel as though there would be a roughly equal number of male as female listeners to the track, due to the indie-rock genre and the female lead singer. I would put the intended ages for my video between fifteen and twenty eight. I'm putting the lower end at fifteen because of the nature of the video and the themes running through it which may be slightly too heavy for a younger audience. I'm going for a somewhat grungy effect throughout the video in order to fit with the intended audience psychographic, which I believe will be tailored to in my video as I will include elements intended to appeal to them. For example, the clothing, makeup and the depth of story line. 
The song lends itself to a dark theme, and the artist to an indie style, so the tone of my video will need to reflect both of these things. 
An ideological characteristic of this style of music and its audience is the raw nature of the music. often bands similar to Wolf Alice go for more emphasis on performance in their music videos, as there is emphasis within the genre of the quality and feel and emotion behind the music itself. However, the majority of videos already produced by the band do not include large amounts of performance, and the videos come from a more entertainment based angle. They tend to throw light on subtle meanings and ideas that come through from the music and the lyrics themselves because this is the style of video that the target audience appreciate. I plan on using some elements of performance in order to appeal to the intended audience and provide a snapshot into the passion behind the music itself, but I also want to create a "narrative" without strictly following a narrative. To almost tell a story and provide something for the audience to follow without explicitly telling a story. 

Thursday, 17 September 2015

Treatment

Treatment One 

You're A Germ / Silk - Music Video

Audience
I believe the target demographic for my music video will be young adults aged 15-28, both male and female. A good way of identifying some music that viewers may also be interested in, and therefore the style, ideologies and concepts, is to check the "similar artists" or "you might like" suggestions on iTunes. Some of the artists that came up were Drenge, JAWS, The Vaccines, Swim Deep and Palma Violets. This information provides a snapshot into the genre and what sort of ideas and concepts my audience may be interested in. See audience analysis.

Outline  :  Silk 
This song is a lot more relaxed the entire way through, and I'm visualising a calmer and more reposed video.
It would follow a couple through one day of their lives together, portraying their relationship as very bleak and falling apart. This will be shown by the slightly desaturated and a grey/green hue. There wouldn't be too much in the way of a storyline however there would be an element of narrative in the form of the fact that it is tracking their relationship falling apart. The intro to the song is actually quite long, and therefore must be thought out very carefully in order to prevent it from becoming boring as a video. I plan on recording the sounds of a vaguely distant street and placing them over the top of the building noise, a key part of this soundtrack will be a police siren which will be the first sound that the viewers hear. As the screen starts black and fades into a birds eye shot of the couple in a bed, there will be a siren, then her eyes will snap open and the track will kick in, alongside the siren and the quiet traffic. The rest of the video will include performance shots of some instruments being played but mainly of the singer, together with general shots of the pair. Some brief shot ideas are of her sitting on the beach looking out to the horizon as the sun sets or rises, this could be nearing the end of the video as the song comes to a close or as a part of the beginning sequence as she gets out of bed alone and wanders down to the sea. 

Outline  :  You're A Germ

Within the video, I have decided on two options. I could take some, but not all, of the lyrics literally. Rather than reading into the meaning behind the lyrics, I may decide to keep it relatively superficial and pick out key words and concepts to fuel the content. I was thinking about taking the line "we hear the fight" to determine a recurring theme throughout the video. And cut to maybe slow motion style scenes during the slower sections of the track, and more fast paced chaos during the chorus, perhaps including a bottle being smashed, or someone being chased. 
Alternatively, I could take each of the sections of lyrics more literally. For example, taking the opening line "George he rides a bike" and using this as a running theme, possibly opening with shots of someone riding a bike, close ups of ankles, handle bars and wheels spinning, but cutting back to this character throughout the video in order to create some sort of a sense of pattern, rather than just random themes coming together.

I haven't yet decided how much of the video would be performance based, and this will probably depend somewhat on the people I cast and how confident I am that they will take it seriously and act properly. However I have quite a few ideas for performance shots, for example, setting up the "band" in front of a parked car in a serene location with the headlights providing atmospheric lighting and possibly some sort of smoke flare which would be shown up in the bright light.

I will probably end up with a blend of the two ideas, taking specific lines from the track to create the basis for shots and content, but not following the story line. Throughout the video I plan on having quick cuts during the chorus and slower cuts of slower shots (slow motion?) during the verses.

One idea follows a moderately strict narrative, however I would focus on editing the clips together so as to remove any linear elements or feelings from the video. The story will jump back and forth a couple of times, which would be accompanied by the various performance shots.
The video would open with a young girl being filmed intrusively by another character. I haven't decided whether the assailant will remain elusive throughout the video. It would open with a mixture of relaxed performance shots and slow motion clips of the girl, who would be dressed in innocent whites, as opposed to the more aggressive blacks of the singer. As the girl is harassed, the audience can see that she is uncomfortable, however she doesn't lash out apart from to block the camera lens. As the chorus kicks in, suddenly the scene cuts to a bloody fight, bottles are smashed, torsos are kicked and the pair fall over stools and tables. The girl is now dressed in black with much heavier makeup. As the music cuts back to a verse, the scene reverts similar to how it was before, only the actions of the assaulter are visibly more aggressive and provoking, and as the verse picks up tempo you see her snap and react to him, starting the fight, which leads back to where the chorus left off beforehand.
For my final shots, I'm visualising the aggressor on the floor, and the girl standing with the camera up close, or possibly she is holding the "camera" that he began the video watching her through, with a subtle touch of blood on her face and a sadistic grin as she pulls up a lighter before the shot cuts to black.
I also have a couple of brief ideas focussing on and surrounding the juxtaposition of young and old, possibly switching between shots of characters and their "younger selves." I feel as though this could be very effective however it would be difficult to find younger actors who would be reliable and would put the required energy into it. (My brother? Someone's sister?)
My third and final concept would be based around the idea of an alter ego, the character switching personas at different points in the video, correlating with the pace and tone of the music. Possible ideas for transitions are tracking her as she looks into a mirror or a photo on the wall and then as the camera pans back out, her identity has switched. 

Visual Elements 
As I briefly mentioned, I have a few ideas for lighting in certain settings, but until I have a relatively comprehensive shot list, planning my lighting is going to be difficult. However, I'm going to have access to three portable, continuous soft box light sources, and various reflectors in order to ensure that my shots are lit correctly.
I want a lot of movement in the shots I take, as parts of the song will be relatively slow and I don't want the video to become tired or dull, so the shots would need to remain steady yet not static.
I need various locations within this project, a good number for the abstract performance shots and a good number for the narrative/ conceptual parts.

Wednesday, 16 September 2015

Brief Original Video Notes


Initial Song List

Palma Violets - We Found love, Johnny Bagga Doughnuts
The Fratellis - Chelsea Dagger
Wolf Alice - Nosedive, Silk, You're A Germ
The Black Keys - Lonely Boy, Gold On The Ceiling
McBusted - Air Guitar
Amy Winehouse - Back To Black
Blur - Song 2



Friday, 11 September 2015

Video Analysis - The Wombats - 1996



Music in the indie genre is interesting, the ideology of such music being a heavy focus on the raw, un-industry bias sound. The videos are often trance like or surreal, unrealistic, taking place in either an alternative universe or in one that appears drastically different to how it would be expected to. Indie-pop as a genre is often an eclectic mix of popular conventions and alternative themes, and this song is no exception.

The video is set in an ordinary house party - except it is not ordinary. The guests are wearing scuba suits and an assortment of details within the set are slightly off, such as the fridge filled with bottled water where you would expect alcohol. It includes a lot of close up shots of the performer's face, providing both a star image for the record label to work with, and a very personal, trance like effect. The house is dim lit, low key lighting also adds to the intoxicated impression that the audience is left with. 

As Goodwin suggests, there is a strong link between the lyrics and the visuals you are presented with, the song is written adverse to the modern day ways people live their lives, however this isn't always the case, if you look at a constrasting track such as You're A Germ there is little to no contextual reference to the actual lyrics of the song. 

At some points, the shot frequency is relatively fast paced, however mostly it is slow cut and the shots themselves are often slow pans and steady tracking shots. This aids the dreamlike atmosphere alongside the grey/green/washed out colour correction. I like the style of this video, there isn't a clear cut narrative and it is somewhat abstract. There is an equal balance of performance shots (the singer alone) and location shots. It is like you're walking around the party with him.

He sings directly into the camera, more often than not making eye contact and creating a personal link between himself and the audience, which is often regarded as more of a popular cultural style technique as it brings the viewer into the situation on a higher level of understanding and relatability, as opposed to in films where the fourth wall remains unbroken and the audience is absorbed in the idea of the narrative being reality for someone else.

Genre Conventions - Pop Non Conformity

Rhianna - Bitch Better Have My Money,

In this video, Rhianna goes to the extreme end of non conformity. With her largely young fan base she has gone down the modern gangster style route. Surprisingly, the track is listed as pop on iTunes and other music streaming servers. She completely defies the stereotypical expectations of her older music that the industry may hold over her, and has produced a somewhat disturbing video.

A main expectation of popular music is that it shouldn't include any extremes due to the often young ages of the audience. However, the video is filled from start to finish with strong threatening, violent and gory themes. The end shot is of the artist herself saring dead eyes into the camera, dripping in the blood of her victims and made up to look almost soulless and zombie-like. A long way off her usual glamorous, movie star persona. 

She could have chosen to do something so controversial for several reasons, a stand out one being the desire to attract a wider audience to her music.

Genre Conventions - Pop Non Conformity

P!NK - Raise Your Glass,

In this video, P!nk goes out of her way to fight some of the stereotypes of her genre and goes against the very nature of the ideology she was somewhat expected to represent. This could be heavily influenced by the context of the song itself and how it is okay to be different, which is actually a widely accepted theme in her music. There is a clear intertextual reference to Rosie The Riveter; a wartime propaganda hero. The general emphasis of the video being empowerment - "so raise your glass if you are wrong in all the right ways." One could argue that this itself goes against mainstream pop ideologies as a lot of popular music is based on the ideas of romance, vulnerable women and brooding men. "Stay" by Rhianna for example. However, this ruling cannot be applied to all music in the genre, so although this video is very much about there being more to life than being "cool" it has been done, in fact, in a way which can be perceived in a way that is widely considered just that. The video does, as Goodwin suggests.show certain aspects that the record label will have wanted, for example the close up attractive shots of the artist, as it is important to keep up the star image.

Genre Coventions - Rock


The expected rock ideologies go along the lines of not caring, having a very blase outlook on things and being very hedonistic or rowdy. There is also a lot of expected emphasis on teenage fans, the idea of fangirls and being fan based. Beastie Boys "Fight For Your Right" is an excellent example of this as the whole song is based on the persona of a teenager. "Wake up late for school man you don't wanna go..." The rock genre is generally designed to be relatable to the intended audience, which is, more often than not, a teenage age range. The same can be said about pop, for example the original Michael Jackson "Smooth Criminal" track is aimed at a teenage market, however the content is not specifically supposed to immediately mean anything personal to it's audience, whereas the Alien Ant Farm cover of the song, which conforms to the rock genre, does. The stereotypical expectations of rock are frequently referenced in this video, whilst closely cross referencing the original, from the style of dancing to the typical suburban setting that their audience are likely to relate to. The sophisticated Speakeasy is replaced by a large scale street party, trashed white-picket-fence-gardens showing off the antidisestablishmentarianist attitude and linking themselves to the rebellious teenage ideologies with the red cups and pizza boxes strewn across the perfectly pruned lawns.
The general rock ideology heavily involves the idea of defying the system and so many videos in this genre do conform to implying this in some way.
There is a lot of inter textual referencing within this video to the original, from the styles of dance moves to the pet monkey meant to represent that of Michael Jackson's own pet.

Goodwin's theory suggests that not only should music videos include elements of genre conformity, but that there is often a link between both the lyrics and the video, and the music itself and the video, however this song wasn't written in order to conform to rock ideologies.